Silk screen spot color separation
![silk screen spot color separation silk screen spot color separation](http://4.bp.blogspot.com/-CnfWttasiTw/VeX70vkmgEI/AAAAAAAAM1E/qTrTbpam5Ys/s1600/CMYK_color_swatches2.png)
How far you simplify is determined by several factors. Move the red objects onto a layer names red, and the orange ones onto an orange named layer. And, lastly, the base white separation on the bottom to brighten the colors when printed on a dark shirt. Secondly, an orange layer overprinting with a trapping stroke, also overprinting. You will eventually have a red layer overprinting everything. Use Pathfinder to Merge or Unify them into simpler shapes. Again, the "Select Same fill color" will help gather the red and orange objects. Simplify the text shapes and strokes into filled shapes. The type outlines are built with multiple strokes applied in the Appearance panel it will need to have "Expand Appearance" applied to convert to outlines to shapes. There is some overlap of the figure behind the type.
![silk screen spot color separation silk screen spot color separation](http://i.ytimg.com/vi/6ljJryKAf_U/maxresdefault.jpg)
Note that the figure has mostly butt-fitted details from auto-tracing, but the chest is roughly built. Check your work with Separations Preview-Overprint. The "Select Same fill color" and the color selectors in Appearance are good for this. Match the art colors with PMS spot colors from the Solid-coated library, using Color Guide.Īpply the spot colors to the art. Scale the art to 11 inches, the shirt front size. Video tutorials for this project: T-shirt outline and T-shirt trapping The Adobe version of the of trapping fundamentals. Review these resources:Ī Smashing Magazine piece on setting up artwork for screen printing.Īlso, have a look at this article on white base color techniques. We will break down the Illustrator appearance effects into vector shapes, and we'll simplify the many layers of shapes into two spot color separations, and a base white separation to back up the color on black shirts. that will be distributed to lots of users and they should be made "fool proof". In the future you will be creating logos, icons, spot illustrations, etc.
SILK SCREEN SPOT COLOR SEPARATION HOW TO
Sure, you could hand this art off to the screen printers and have them fix the file, but we want to learn how to clean up a complex vector file and make it ready for printing. Below is how the separations should turn out. This base color should be trapped to 1 point smaller than the logo to avoid any white peeking out around the edges. The client wants black shirts, so you also need to create a white base color that will be printed before the two logo colors. The printer asked for a trap of 1point on the adjoining colors. The art must be sized to 11 inches wide to fit nicely on the front of our chosen shirts one set of screens will print the small, medium, large, and extra large. They need a small amount of trapping where the two colors butt together. The screen printers require the art to be separated into the logo's two spot colors. Our task at this stage is the creation of the t-shirt files. Now the production phase begins and we need to carefully rebuild the artwork it needs to provide the color separations for two screen-printed products, t-shirts and coffee mugs. The design was built in the most efficient manner to develop the design quickly and satisfy the client. You have a newly-designed logo to be used on t-shirts and mugs, in addition to the usual branding applications.